Twin Productions Presents
After The Burial
Emmure, Fit For A King, Fit For An Autopsy, invent animate
6:00 pmAlamo City Music Hall
This event is all ages
Taxes & Service fees may be included | Not Responsible for Injuries due to Moshing or Stage Diving | General Admission | Show is Rain or Shine | No Refunds or Exchanges | twinproductionstexas.comhttp://www.alamocitymusichall.com/event/1398044/
EMMURE's fourth full-length release was produced by the acclaimed Joey Sturgis (The Devil Wears Prada, Asking Alexandria). Few bands around today are able to deliver a memorable and entertaining live show, but the performance is where EMMURE excels as they always aim to set a very high standard for themselves. It would suffice to say that the band experiences a transformation upon stepping on stage; they turn into a dominant beast that is out for blood, unleashing a frenzy of energy on the masses that cannot be contained. This is exactly why the band emerged from the Warped Tour 2010 as one of the festivals' most talked about acts. If you are a fan of heavy music and haven't seen a live EMMURE show, you are truly missing out.
EMMURE sets the standard for bringing together an emotionally unhinged blend of blistering hardcore and punishing death metal that appeals to a wide array of fans ranging from THE ACACIA STRAIN and SUICIDE SILENCE to DEFTONES and label-mates A DAY TO REMEMBER. They released Goodbye To The Gallows (2007) and The Respect Issue (2008) on Victory Records, but it was Felony (2009) that blew things wide open for the band as they truly began to hone their definitive sound that really connected with a worldwide audience. Motivated, EMMURE released their fifth full-length project, Slave to the Game, released April 10th, 2012, only one year after releasing Speaker of the Dead (2011).� Delivering unapologetic lyrics that could make your mother cry, Slave to the Game embraced the video-game-loving side of the band, incorporating references to old school arcade favorites such as Street Fighter II, while still maintaining their rage-infused metal roots. Between powerfully low chugging, technical riffs and bone crushing drum work, the album provided metal fans with classic EMMURE sounds, while still able to openly experiment with tune and pitch effects.
Overtime, one thing has become overwhelmingly clear; you are either with EMMURE or against them. Frankie Palmeri has made a conscious effort to push as many buttons in the industry as possible and for some, his sarcastic, ironic humor is anything but charming. Never one to bite his tongue, Palmeri has made EMMURE a band that is as impossible to ignore as they are to forget. While we may never know what goes on inside of their heads, we do know that they won?t rest until they have everyone?s attention. Committed to touring, 2013 sent EMMURE across the world as they played at Eat Your Heart Out Festival, Groezrock, Rockstar Energy Drink Mayhem Festival, Amnesia Rockfest, Summer Breeze Open Air Festival, Brutal Assault Fest, and headlined the Mosh Lives Tour, Impericon Festival, and Never Say Die! Festival.
With fists balled, knuckles white and heads down, EMMURE have remained pissed-off as ever for their upcoming album, Eternal Enemies, set for release on April 15th. The band will also be offering an exclusive Enemy Lines DVD, which will feature never before seen, behind the scenes footage. Not yet released and already causing a stir, EMMURE will prove yet again that they are the reigning kings of heavy metal. With huge plans in the wings, 2014 will be EMMURE's year.
Tyler, Texas based newcomers FIT FOR A KING just might represent how that metaphor applies to a band. By forging ahead on their own path, making music well beyond their years, making it from the heart, and laying waste to their peers in the process, FIT FOR A KING have created a thing to marvel at - an impressive independent campaign that exemplifies the way "the game" should be played by an upstart band.
The hotly tipped metalcore band has been elbowing its way onto the national scene as a full-time touring outfit, cultivating fans at an alarming clip with a crushingly heavy, artful take on the genre that gives subtle tips of the hat to bands as diverse as THE ACACIA STRAIN, CIRCA SURVIVE and LINKIN PARK. The band's passionate music, coupled with an explosive live show, has made FIT FOR A KING a sensation in the independent music scene.
Following several years of relentless DIY touring and a well-received, independently released album (2011's Descendents), FIT FOR A KING are reaping the benefits of their hard work. Last July the industrious group was signed by Solid State Records, who quickly ushered the band into the studio to record their label debut Creation/Destruction, and take their already surging career to new heights.
Recorded with esteemed producer Andreas Magnusson (OH, SLEEPER, HASTE THE DAY, BLACK DAHLIA MURDER), Creation/Destruction is at once the fulfillment of a longtime dream for FIT FOR A KING, and just the first step in what is sure to sure to be an incredible journey for a band with massive potential.
"Words cannot even express how excited we are to join the Solid State family," vocalist Ryan Kirby says. "We grew up listening to Solid State bands and for us to actually be on this label is the best feeling we've had as a band. We'd been waiting and holding off on labels for so long until we felt we had the right one, and we absolutely do."
"We can definitely feel the momentum starting to build. Our fans were super excited for us and we have seen a big increase in the growth of our fan base in the past six months," Kirby continues. "Longtime fans can expect a more energetic, hard hitting album with the same passionate lyrics that we like to bring to the table. And what some fans may not expect is just how heavy and dark this album gets lyrically and musically."
Like a future-star athlete ready to prove his worth after a high draft position, FIT FOR A KING are ready to deliver with the release of Creation/Destruction. Sports metaphors notwithstanding - this is a band that knows how to play the game the right way and one that will be converting fans nightly.
Start filling out those Rookie of the Year ballots now.
Fit For An Autopsy's Hellbound is the perfect score with which to watch the flames rise. Punishing, unrelenting and alternately both heavy and dissonant, the New Jersey metal band's first album for Good Fight/eOne conjures visions of Nero vigorously attacking his fiddle, even as Rome was engulfed in fire all around him. Esteemed English actor Michael Caine delivers perhaps the best line in Christopher Nolan's "The Dark Knight" trilogy: "Some men just want to watch the world burn."
Death metal often chooses to deal in devils, demons and horror-movie inspired gore. "Deathcore" detours into broken relationships and introspective issues, much like its scene cousins in Metalcore and alt-rock. Fit For An Autopsy blaze their own path, opting to address the dirty, gritty and grimy reality of modern day life. There's no fantasy, no plaintive odes to lost love. This music is hell. These songs are Hellbound.
Scene queens, careerist cartoons and poseur-iffic hacks best step aside when confronted with the self-assured, art-for-art's-sake vibe of Fit For An Autopsy. As MetalSucks observed early on: "The band's brutal, glowering take on [deathcore] reminded [us] of the squandered potential of the genre. Hardcore grooves and swagger, when incorporated correctly, blend quite well with death metal."
On Hellbound, Fit For An Autopsy expand upon their commanding approach to an often maligned subgenre by synthesizing the rhythmic experimentalism of Gojira, the aggressive post-Noisecore of Converge, the esoteric and meditative tribalism of Isis, a virulent dose of the New Wave Of Swedish Death Metal (At The Gates, Dark Tranquility, early In Flames), the legendary progenitors of Floridian death metal (Death, Morbid Angel, Cannibal Corpse, Obituary) and the "deathcore" acts who offer actual proficiency in the genre (Suicide Silence, All Shall Perish, Whitechapel).
Each nuanced building block is meticulously assembled together to form a near-perfect modern metal masterpiece, all with the confident vibe of a group of people making the music they want to make for its own sake, trends and "hype" be damned.
There was justifiable reason to be excited about Fit For An Autopsy from the start. The rich pedigree of its core members foreshadowed the momentous music that was to come. Nate Johnson's stint fronting Through The Eyes Of The Dead resonated with many death metal diehards. Guitarist Will Putney is an accomplished metal producer, mixer, engineer and cowriter. Putney's fingerprints are all over currently relevant albums from Stray From The Path, Reign Supreme, Misery Signals, Vision of Disorder, Counterparts, For Today, Like Moths To Flames, Stray From The Path and more. Guitarist Patrick Sheridan is rightly well regarded for his work on the fretboard as well as with a tattoo machine. The rhythm section of bassist Shane Slade and Sick Drummer-approved Josean Orta is beyond formidable.
The earliest rumblings of Fit For An Autopsy emerged on a 2008 demo. The self-released Hell on Earth EP arrived the following year, eliciting interest from Guy Kozowyk, The Red Chord vocalist and Black Market Activities label honcho. Kozowyk released Fit For An Autopsy's devastating debut, The Process of Human Extermination, in 2011. Sputnik Music paid particular attention to Johnson's dominating presence. "The dude's a swamp creature," they wrote of his "absurd" (in a good way) delivery. "When you hear him scream, it's like, 'What the ---- was that?' You realize whatever it is would probably eat you if you ran into it in the woods."
The group's seething contempt for modern society is rivaled only by the sonic bombardment dropped upon the unsuspecting all over Hellbound, a record that is equal parts challenging and engaging. It's an album designed to make people feel uncomfortable, while at the same time, counter-intuitively soothed by its catharsis. Criminals, junkies and the systems that fail them; deadbeat parents; poisoned food; BS celebrities and false idols; they've all led humanity here. Hellbound draws a line in the sand. It's a declaration that even it's all going down the proverbial drain likeminded individuals can take some solace in the expression of shared rage.
Searching for the right place in the industry to call "home", Invent, Animate quickly released their unforgettable debut EP entitles "Waves". Without wasting time, Invent, Animate got to work on new music for their fans, which is to be released this fall. With their whole careers starting to unfold, and the world at their feet, Invent, Animate is not a band you want to overlook.
Alamo City Music Hall
1305 E Houston St
San Antonio, TX, 78205